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Superman 1978 Stream

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Superman jetzt legal online anschauen. Der Film ist Superman () Superman - Der Film (Special Edition) Fehlt dein Lieblings-Streaming-Anbieter​? Superman stream online anschauen - Kurz vor der Zerstörung seines Heimatplaneten Krypton wird der kleine Kal-El von seinen Eltern in einer Raumkapsel. jun - [[Superman]] ganzer film STREAM deutsch KOMPLETT Online Superman Complete Film Deutsch, Superman Online Kostenlos, Ganzer. Superman online auf CHILI ansehen. FSK Min. Die hat jedoch nur Augen für Superman, nicht ahnend, dass der Held und Clark Kent ein und. Gibt es Superman auf Netflix, Amazon, Sky Ticket, iTunes oder Maxdome und co legal? Jetzt online Stream finden! Superman (). Jetzt anschauen. Filter.

Superman 1978 Stream

Superman - der Film - Inhalt, Bilder, Kritik, Trailer, Kinostart-Termine und Bewertung | learningtechlabs.co Superman. USA/GB, Superman. ARTE France / © Warner Bros. Superman stream online anschauen - Kurz vor der Zerstörung seines Heimatplaneten Krypton wird der kleine Kal-El von seinen Eltern in einer Raumkapsel. Wednesday, October 29th. Williams conducted the London Symphony Orchestra to record the soundtrack. Archived from the original PDF on Bold Type The 25, At one point he said, 'Why don't you just schedule the film for the next two days, and then I'll be nine months over? An alien orphan is sent from his Patrick Dempsey planet to Earth, where he grows up to become his adoptive read article first and greatest superhero. The Dark Knight of Gotham City begins his war on crime with his first major enemy being Jack Napier, a criminal who becomes the clownishly homicidal Joker.

John Williams theme score is the best score done for the character. I hear it and it makes me feel so uplifted and I feel like I can do anything.

Great cast, beautiful score, and an Epic feeling that is lacking from movies in today's age. It is my favorite superhero film. Superman and his portrayal by Christopher Reeve is a masterpiece and is timeless.

Incredible after all this time, this film still holds its own against more recent superhero films and all the CGI that goes with it.

Richard Donner's work is a true homage to this classic hero that we have all come to love. I still get shivers when I hear the soundtrack as well.

This is a classic of the comic book hero genre, and in most respects the one that really set the standard for all comic book hero films that follow it.

The special effects, sets, haircuts and wardrobe may all look dated, but Superman: The Movie remains among the most beloved films of the s.

Director Richard Donner brings the comic book hero to life in Christopher Reeve, who admirably adapts from the bumbling Clark Kent to the ultimate caped crusader.

The entire cast is brilliant in its supporting roles. Gene Hackman gives a great performance as the unapologetically wicked Lex Luthor.

And Margot Kidder delivers a portrait of a strong, ambitious Lois Lane at a time when women were starting to break the glass ceiling.

But it is Donner's dedication to the spirit and style of the original Superman's comic book roots, as well as to inject a heavy dose of humor, that make Superman: The Movie a classic.

In some ways, it has still not been surpassed, even by the CGI effects and faster-paced action of today's superhero movies.

The special effects and CGI look great and they don't suck. This film has a heart and it does not suck and is not bad. Marlon Brando was wonderful a touching movement performance as Jor-El, Clark's father.

At its heart just as in three sequels is Christopher Reeve's intelligent, affectionate portrayal of a most human Man of Steel.

Watching Superman again isn't just like being a kid again. It's better. The movie's legacy soared even higher when director Richard Donner revisited this beloved adventure 22 years later and integrated eight minutes into the film.

I love this film and is the best superhero classic film ever made!!!! Sign In. Keep track of everything you watch; tell your friends.

Full Cast and Crew. Release Dates. Official Sites. Company Credits. Technical Specs. Plot Summary.

Plot Keywords. Parents Guide. External Sites. User Reviews. User Ratings. External Reviews. Metacritic Reviews. Photo Gallery.

Trailers and Videos. Crazy Credits. Alternate Versions. Rate This. An alien orphan is sent from his dying planet to Earth, where he grows up to become his adoptive home's first and greatest superhero.

Director: Richard Donner. Added to Watchlist. From metacritic. What's New on Prime Video in June. Action Watchlist. Mills top comic book films.

Goochland Drive-In. Share this Rating Title: Superman 7. Use the HTML below. You must be a registered user to use the IMDb rating plugin.

Nominated for 3 Oscars. Edit Cast Cast overview, first billed only: Marlon Brando Jor-El Gene Hackman Lex Luthor Christopher Reeve Otis Jackie Cooper Perry White Glenn Ford Pa Kent Trevor Howard Lois Lane Jack O'Halloran Non Valerie Perrine Eve Teschmacher Maria Schell Vond-Ah Terence Stamp General Zod Phyllis Thaxter Ma Kent Susannah York Lara Jeff East Learn more More Like This.

Superman II Action Adventure Sci-Fi. Superman III Action Adventure Comedy. Superman Returns Action Sci-Fi.

Action Adventure Romance. Young Clark Kent 's long-distance football punt was executed with a wooden football loaded into an air blaster placed in the ground.

The Superman costume was to be a much darker blue, but the use of blue screen made it transparent. For landings and take-offs, wire flying riggings were devised and used.

On location, these were suspended from tower cranes, whereas in the studio elaborate rigs were suspended from the studio ceilings.

Some of the wire-flying work was quite audacious—the penultimate shot where Superman flies out of the prison yard, for example.

Counterweights and pulleys were typically used to achieve flying movement, rather than electronic or motorized devices. The thin wires used to suspend Reeve were typically removed from the film in post-production using rotoscope techniques, although this wasn't necessary in all shots in certain lighting conditions or when Superman is very distant in the frame, the wires were more or less imperceptible.

For stationary shots where Superman is seen flying toward or away from the camera, blue screen matte techniques were used.

Reeve would be photographed suspended against a blue screen. While a special device made his cape flap to give the illusion of movement, the actor himself would remain stationary save for banking his body.

The blue background would then be photochemically removed and Reeve's isolated image would be 'inserted' into a matted area of a background plate shot.

The zoom-ins or zoom-outs would give the appearance of flying away or toward the contents of the background plate.

The disparity in lighting and color between the matted image and the background plate, the occasional presence of black matte lines where the matte area and the matted image—in this case, Superman—do not exactly match up , and the slightly unconvincing impression of movement achieved through the use of zoom lenses is characteristic of these shots.

Where the shot is tracking with Superman as he flies such as in the Superman and Lois Metropolis flying sequence , front projection was used.

The result was a very clear and intense photographic reproduction of both the actors and the background plate, with far less image deterioration or lighting problems than occur with rear projection.

A technique was developed that combined the front projection effect with specially designed zoom lenses. For scenes where Superman interacts with other people or objects while in flight, Reeve and actors were put in a variety of rigging equipment with careful lighting and photography.

The highly reflective costumes worn by the Kryptonians are made of the same 3M material used for the front projection screens and were the result of an accident during Superman flying tests.

There was a little light on each camera, and it would project into a mirror, bounce out in front of the lens, hit the costume, [and] millions of little glass beads would light up and bring the image back into the camera.

He dropped out over scheduling conflicts, and John Williams was hired. Williams conducted the London Symphony Orchestra to record the soundtrack.

Billboard Hot and 69 Cash Box. It became a mid-chart hit on the Billboard Hot that year 52 , spending three weeks at number five on the U.

Adult Contemporary chart, as well as making lesser appearances on the corresponding Canadian charts. It was also a very minor hit on the U.

Country chart, reaching Both Williams' and McGovern's singles contained theme music from the score. On February 15, , La-La Land Records released the fully expanded restoration of Williams' score as part of the film's 40th anniversary.

Superman is divided into three basic sections, each having a distinct theme and visual style. The first segment, set on Krypton, is meant to be typical of science fiction films , but also lays the groundwork for an analogy that emerges in the relationship between Jor-El and Kal-El.

The second segment, set in Smallville, is reminiscent of s films, and its small-town atmosphere is meant to evoke a Norman Rockwell painting.

The third and largest segment, set mostly in Metropolis, was an attempt to present the superhero story with as much realism as possible what Donner called "verisimilitude" , relying on traditional cinematic drama and using only subtle humor instead of a campy approach.

In each of the three acts, the mythic status of Superman is enhanced by events that recall the hero's journey or monomyth as described by Joseph Campbell.

Each act has a discernible cycle of "call" and journey. The journey is from Krypton to Earth in the first act, from Smallville to the Fortress of Solitude in the second act, and then from Metropolis to the whole world in the third act.

Many have noted the examples of apparent Christian symbolism. Donner, Tom Mankiewicz and Ilya Salkind have commented on the use of Christian references to discuss the themes of Superman.

Several concepts and items of imagery have been used in Biblical comparisons. Kal-El comes to Jonathan and Martha Kent , who are unable to have children.

Martha Kent states, "All these years how we've prayed and prayed that the good Lord would see fit to give us a child," which was compared to the Virgin Mary.

Just as little is known about Jesus during his middle years, Clark travels into the wilderness to find out who he is and what he has to do.

Jor-El says, "Live as one of them, Kal-El, to discover where your strength and power are needed. But always hold in your heart the pride of your special heritage.

They can be a great people, Kal-El, and they wish to be. They only lack the light to show the way. For this reason above all, their capacity for good, I have sent them you, my only son.

Another vision was that of The Creation of Adam. The Christian imagery in the Reeve films has provoked comment on the Jewish origins of Superman.

He's Woody Allen. Superman instead takes the advice of Jonathan Kent, his father on Earth. Superman was originally scheduled to be released in June , the 40th anniversary of Action Comics 1 , which first introduced Superman, but the problems during filming pushed the film back by six months.

Editor Stuart Baird reflected, "Filming was finished in October and it is a miracle we had the film released two months later.

Big-budgeted films today tend to take six to eight months. But at some point, you've gotta turn the picture over. Superman premiered at the Uptown Theater in Washington, D.

The film set a new all-time U. It was also Warner Bros. The website's critical consensus reads, " Superman deftly blends humor and gravitas, taking advantage of the perfectly cast Reeve to craft a loving, nostalgic tribute to an American pop culture icon.

I got chills. Chris Reeve has just the right touch of humor. He really is Superman. Roger Ebert gave a very positive review, awarding a full four stars and writing, " Superman is a pure delight, a wondrous combination of all the old-fashioned things we never really get tired of: adventure and romance, heroes and villains, earthshaking special effects and wit.

Reeve is perfectly cast in the role. Any poor choice would have ruined the film. Good performances. Sloppy editing. Cheap nonflying special effects.

Funny dialog. In sum, 'Superman' is the kind of picture critics tear apart, but still say, 'You ought to see it. This is the definitive corporate film.

It is best when it takes itself seriously, worst when it takes the easy way out in giggly camp. When Lex Luthor enters the action, Hackman plays the arch-villain like a hairdresser left over from a TV skit.

Writing in a retrospective review, James Berardinelli believed "there's no doubt that it's a flawed movie, but it's one of the most wonderfully entertaining flawed movies made during the s.

It's exactly what comic book fans hoped it would be. Perhaps most heartening of all, however, is the message at the end of the credits announcing the impending arrival of Superman II.

He also argued that the film should have adhered more to the spirit of Mario Puzo's original script, and referred to the first three Superman films collectively as "simply puffed-up TV episodes.

While, by contract, Richard Donner had major editorial control over what was theatrically released, the Salkinds had editorial control on what was shown outside of theaters.

This was the result of deals that had been made between the producers and the ABC television network prior to the film's release.

Financially, the more footage that was restored for television, the more revenue that could be made for the broadcast the producers charged by the minute for every bit of footage added back in.

During production of the film, Alexander and Ilya Salkind had been relegated to having to sell more and more of their rights back to Warner Bros.

So by , when the television rights reverted to the Salkinds, the producers had already prepared a 3-hour and 8-minute version that actually had been the first version of the film visually locked-down prior to being re-edited for theatrical release.

This extended cut, which would be utilized for worldwide television distribution, reincorporated some 45 minutes of footage and music deleted from the theatrical cut.

Networks and stations could then re-edit their own version at their discretion. This edit is commonly known as the "Salkind International Television Cut".

ABC aired the broadcast television debut of Superman over two nights in February , with a majority of the unused footage.

The minute network cut which was slightly cut down for content was repeated in November of that same year, this time in its entirety in one evening.

The remaining two ABC broadcasts were presented in its original theatrical version. When the TV rights reverted to Warner Bros. When the movie entered the syndication [69] market in following a play-out run on pay cable [70] [71] TV stations were offered the extended cut or the theatrical cut.

The stations that showed the extended cut [70] edited the second half to add more advertising time and "previously on Television syndicated the full minute international television version, most famously on Los Angeles station KCOP.

The most notable additions unseen on U. There were various extended TV versions each broadcast in various countries. Most of these are in pan and scan , as they were made in the s, when films were not letterboxed to preserve the theatrical aspect ratio on old TVs.

Until , it was thought the quality of the extended network TV version was inferior to any theatrical or previous home video release because it was mastered in 16mm using the " film chain system " and a mono sound mix done, as by the time the extended cut was prepared in , stereo was not available in television broadcasts 16mm television prints were, in fact, made and mastered on NTSC Standard Definition video for the initial ABC network broadcasts.

However, during an inventory of the Warner Bros. This eighteen-reel master was not marked with an aspect ratio, but the print was inspected and, as it turned out, was in the proper 2.

This particular release also includes another version discussed below. When Michael Thau and Warner Home Video started working on a film restoration in , only eight minutes of the added footage that had been used in the TV cut could be considered restored into a version that director Richard Donner now calls his preferred version of the film.

Thau determined that some of the extra footage could not be added because of poor visual effects. Thau felt "the pace of the film's storyline would be adversely affected [and there were] timing problems matching [footage] with John Williams' musical score, etc… The cut of the movie shown on KCOP was put together to make the movie longer when shown on TV as the Television Station paid per minute to air the movie.

The " Special Edition " cut is designed for the best viewing experience in the true spirit of movie making. The release included making-of documentaries directed by Thau and eight minutes of restored footage.

I used to hear those wonderful stories in the cutting room that Tom and Dick and Stuart would tell about Superman and that's how I kind of got the ideas for the plots of 'Taking Flight' and 'Making Superman'".

We went in and cleaned that up, bringing the color back to where it should be. I also wanted to take out a lot of that car chase where it was just generic action It was like a two-minute car chase.

But Dick didn't want to take [that] out [or] the poem. On November 6, following year-long worldwide revival theatrical screenings to commemorate the 40th anniversary of the film's original release , Warner Bros.

This new release also includes a standard Blu-Ray of the theatrical cut, plus select bonus features carried over from previous video releases, and digital copies of both the theatrical and three-hour TV versions.

McCallum , Graham V. Donner publicly expressed disgust that production designer John Barry and cinematographer Geoffrey Unsworth had not been recognized by the Academy.

Superman was successful at the 32nd British Academy Film Awards. Reeve won Best Newcomer , while Hackman, Unsworth, Barry, and the sound designers earned nominations.

With the film's success, it was immediately decided to finish Superman II. Ilya and Alexander Salkind and Pierre Spengler did not ask Donner to return because Donner had criticized them during the film's publicity phase.

As long as he has nothing to say as the producer, and is just liaison between Alexander Salkind and his money, that's fine.

If they don't want it on those terms, then they need to go out and find another director, it sure as shit ain't gonna be me. Kidder said that as a result, she was only given a cameo appearance for Superman III , and not a main supporting role.

Richard Lester was as big an asshole as the Salkinds. Superman Returns was released in The film's final sequence, which features Superman flying high above the Earth at sunrise, and breaking the fourth wall to smile briefly at the camera, is featured at the end of every Superman film starring Reeve.

Superman Returns recreated the shot with lead actor Brandon Routh. Because Superman went into production prior to the releases of Star Wars May and Close Encounters of the Third Kind November , some observers credit the three films collectively for launching the reemergence of a large market for science fiction films in the s.

This is certainly the view of Superman producer Ilya Salkind and some who have interviewed him, [11] [17] as well as of film production assistant Brad Lohan.

The film is recognized by American Film Institute in these lists:. In December , the film was selected for preservation by the United States Library of Congress National Film Registry , for being "culturally, historically or aesthetically significant".

From Wikipedia, the free encyclopedia. This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources.

Unsourced material may be challenged and removed. Theatrical release poster by Bob Peak. Superman by Jerry Siegel Joe Shuster.

Stuart Baird Michael Ellis. International Film Productions [1] Dovemead Ltd. Warner Bros. This section needs additional citations for verification.

Publicity still emulating screen shot in which Superman Christopher Reeve , with his traditional suit, flies toward the sky, with Metropolis underneath him.

Actual screen shot for comparison. Suit has greenish hue, for use with blue-screen effects. See also: Christ figure.

But we will never leave you, even in the face of our deaths. The richness of our lives shall be yours. All that I have, all that I've learned, everything I feel—all this and more I bequeath you, my son.

You will carry me inside you all the days of your life. You will make my strength your own, and see my life through your eyes, as your life will be seen through mine.

The son becomes the father and the father the son. This is all I, all I can send you, Kal-El. Retrieved September 14, British Board of Film Classification.

Retrieved December 1, American Film Institute. Retrieved December 11, Box Office Mojo. Retrieved December 14, Archived from the original on December 12, Retrieved June 17, Superman Homepage.

Retrieved September 8, Retrieved September 4, The Making of Superman the Movie. Warner Books. The Independent. Retrieved January 28, Retrieved September 9, Thomsen New York City: HarperCollins.

Brando the Biography. Comic Book Movies. Virgin Books. New York Daily News. Straight from the Force's Mouth. Filament Publishing. May 1, Retrieved September 10, BearManor Media.

Daily News. Archived from the original on February 14, Retrieved February 17, Journal of Religion and Film. Archived from the original on June 18, Retrieved May 10, The Jewish Exponent.

Archived from the original on October 13, Retrieved November 1, Contact Music. June 20, USA Today. Retrieved December 9, The Hollywood Reporter.

December 26, January 2, December 31, Daily Variety.

Superman learn more here Chili Mieten ab 3. Bekannt geworden ist Fisher bisher hauptsächlich als Bühnendarsteller. Die Besten Science Fiction-Filme. Weltweit spielte Superman mehr als Millionen Dollar ein, und das bei einem Budget von rund 55 Millionen. Gene Read article. Du willst Superman online schauen? Ned Beatty. Jackie Cooper. Source gelungene Comic Adaption! Marlon Brando. Alexander Salkind.

Watching Superman again isn't just like being a kid again. It's better. The movie's legacy soared even higher when director Richard Donner revisited this beloved adventure 22 years later and integrated eight minutes into the film.

I love this film and is the best superhero classic film ever made!!!! Sign In. Keep track of everything you watch; tell your friends.

Full Cast and Crew. Release Dates. Official Sites. Company Credits. Technical Specs. Plot Summary. Plot Keywords. Parents Guide.

External Sites. User Reviews. User Ratings. External Reviews. Metacritic Reviews. Photo Gallery.

Trailers and Videos. Crazy Credits. Alternate Versions. Rate This. An alien orphan is sent from his dying planet to Earth, where he grows up to become his adoptive home's first and greatest superhero.

Director: Richard Donner. Added to Watchlist. From metacritic. What's New on Prime Video in June. Action Watchlist. Mills top comic book films.

Goochland Drive-In. Share this Rating Title: Superman 7. Use the HTML below. You must be a registered user to use the IMDb rating plugin.

Nominated for 3 Oscars. Edit Cast Cast overview, first billed only: Marlon Brando Jor-El Gene Hackman Lex Luthor Christopher Reeve Otis Jackie Cooper Perry White Glenn Ford Pa Kent Trevor Howard Lois Lane Jack O'Halloran Non Valerie Perrine Eve Teschmacher Maria Schell Vond-Ah Terence Stamp General Zod Phyllis Thaxter Ma Kent Susannah York Lara Jeff East Learn more More Like This.

Superman II Action Adventure Sci-Fi. Superman III Action Adventure Comedy. Superman Returns Action Sci-Fi. Action Adventure Romance.

Batman Action Adventure. Batman Returns Action Crime Fantasy. Batman Forever Ghostbusters II Action Comedy Fantasy. Ghostbusters Three former parapsychology professors set up shop as a unique ghost removal service.

Gremlins Comedy Fantasy Horror. Man of Steel Spider-Man Taglines: The movie that makes a legend come to life. Edit Did You Know? Trivia The costumes worn by Jor-El and others on the planet Krypton were covered with front projection material to create the highly unusual photographic effect shown.

The filmmakers came up with the idea while doing tests for the visual effects sequences. Goofs At the train station, the New Haven engine that masks Otis's entrance to Luthor's lair and the one that hits the detective Harry are the same unit, number board Quotes [ first lines ] Boy : In the decade of the s, even the great city of Metropolis was not spared the ravages of the worldwide depression.

In the times of fear and confusion, the job of informing the public was the responsibility of the Daily Planet, a great metropolitan newspaper whose reputation for clarity and truth had become a symbol of hope for the city of Metropolis Adult Contemporary chart, as well as making lesser appearances on the corresponding Canadian charts.

It was also a very minor hit on the U. Country chart, reaching Both Williams' and McGovern's singles contained theme music from the score.

On February 15, , La-La Land Records released the fully expanded restoration of Williams' score as part of the film's 40th anniversary.

Superman is divided into three basic sections, each having a distinct theme and visual style. The first segment, set on Krypton, is meant to be typical of science fiction films , but also lays the groundwork for an analogy that emerges in the relationship between Jor-El and Kal-El.

The second segment, set in Smallville, is reminiscent of s films, and its small-town atmosphere is meant to evoke a Norman Rockwell painting.

The third and largest segment, set mostly in Metropolis, was an attempt to present the superhero story with as much realism as possible what Donner called "verisimilitude" , relying on traditional cinematic drama and using only subtle humor instead of a campy approach.

In each of the three acts, the mythic status of Superman is enhanced by events that recall the hero's journey or monomyth as described by Joseph Campbell.

Each act has a discernible cycle of "call" and journey. The journey is from Krypton to Earth in the first act, from Smallville to the Fortress of Solitude in the second act, and then from Metropolis to the whole world in the third act.

Many have noted the examples of apparent Christian symbolism. Donner, Tom Mankiewicz and Ilya Salkind have commented on the use of Christian references to discuss the themes of Superman.

Several concepts and items of imagery have been used in Biblical comparisons. Kal-El comes to Jonathan and Martha Kent , who are unable to have children.

Martha Kent states, "All these years how we've prayed and prayed that the good Lord would see fit to give us a child," which was compared to the Virgin Mary.

Just as little is known about Jesus during his middle years, Clark travels into the wilderness to find out who he is and what he has to do.

Jor-El says, "Live as one of them, Kal-El, to discover where your strength and power are needed. But always hold in your heart the pride of your special heritage.

They can be a great people, Kal-El, and they wish to be. They only lack the light to show the way. For this reason above all, their capacity for good, I have sent them you, my only son.

Another vision was that of The Creation of Adam. The Christian imagery in the Reeve films has provoked comment on the Jewish origins of Superman.

He's Woody Allen. Superman instead takes the advice of Jonathan Kent, his father on Earth. Superman was originally scheduled to be released in June , the 40th anniversary of Action Comics 1 , which first introduced Superman, but the problems during filming pushed the film back by six months.

Editor Stuart Baird reflected, "Filming was finished in October and it is a miracle we had the film released two months later.

Big-budgeted films today tend to take six to eight months. But at some point, you've gotta turn the picture over. Superman premiered at the Uptown Theater in Washington, D.

The film set a new all-time U. It was also Warner Bros. The website's critical consensus reads, " Superman deftly blends humor and gravitas, taking advantage of the perfectly cast Reeve to craft a loving, nostalgic tribute to an American pop culture icon.

I got chills. Chris Reeve has just the right touch of humor. He really is Superman. Roger Ebert gave a very positive review, awarding a full four stars and writing, " Superman is a pure delight, a wondrous combination of all the old-fashioned things we never really get tired of: adventure and romance, heroes and villains, earthshaking special effects and wit.

Reeve is perfectly cast in the role. Any poor choice would have ruined the film. Good performances. Sloppy editing. Cheap nonflying special effects.

Funny dialog. In sum, 'Superman' is the kind of picture critics tear apart, but still say, 'You ought to see it.

This is the definitive corporate film. It is best when it takes itself seriously, worst when it takes the easy way out in giggly camp.

When Lex Luthor enters the action, Hackman plays the arch-villain like a hairdresser left over from a TV skit. Writing in a retrospective review, James Berardinelli believed "there's no doubt that it's a flawed movie, but it's one of the most wonderfully entertaining flawed movies made during the s.

It's exactly what comic book fans hoped it would be. Perhaps most heartening of all, however, is the message at the end of the credits announcing the impending arrival of Superman II.

He also argued that the film should have adhered more to the spirit of Mario Puzo's original script, and referred to the first three Superman films collectively as "simply puffed-up TV episodes.

While, by contract, Richard Donner had major editorial control over what was theatrically released, the Salkinds had editorial control on what was shown outside of theaters.

This was the result of deals that had been made between the producers and the ABC television network prior to the film's release.

Financially, the more footage that was restored for television, the more revenue that could be made for the broadcast the producers charged by the minute for every bit of footage added back in.

During production of the film, Alexander and Ilya Salkind had been relegated to having to sell more and more of their rights back to Warner Bros.

So by , when the television rights reverted to the Salkinds, the producers had already prepared a 3-hour and 8-minute version that actually had been the first version of the film visually locked-down prior to being re-edited for theatrical release.

This extended cut, which would be utilized for worldwide television distribution, reincorporated some 45 minutes of footage and music deleted from the theatrical cut.

Networks and stations could then re-edit their own version at their discretion. This edit is commonly known as the "Salkind International Television Cut".

ABC aired the broadcast television debut of Superman over two nights in February , with a majority of the unused footage. The minute network cut which was slightly cut down for content was repeated in November of that same year, this time in its entirety in one evening.

The remaining two ABC broadcasts were presented in its original theatrical version. When the TV rights reverted to Warner Bros.

When the movie entered the syndication [69] market in following a play-out run on pay cable [70] [71] TV stations were offered the extended cut or the theatrical cut.

The stations that showed the extended cut [70] edited the second half to add more advertising time and "previously on Television syndicated the full minute international television version, most famously on Los Angeles station KCOP.

The most notable additions unseen on U. There were various extended TV versions each broadcast in various countries.

Most of these are in pan and scan , as they were made in the s, when films were not letterboxed to preserve the theatrical aspect ratio on old TVs.

Until , it was thought the quality of the extended network TV version was inferior to any theatrical or previous home video release because it was mastered in 16mm using the " film chain system " and a mono sound mix done, as by the time the extended cut was prepared in , stereo was not available in television broadcasts 16mm television prints were, in fact, made and mastered on NTSC Standard Definition video for the initial ABC network broadcasts.

However, during an inventory of the Warner Bros. This eighteen-reel master was not marked with an aspect ratio, but the print was inspected and, as it turned out, was in the proper 2.

This particular release also includes another version discussed below. When Michael Thau and Warner Home Video started working on a film restoration in , only eight minutes of the added footage that had been used in the TV cut could be considered restored into a version that director Richard Donner now calls his preferred version of the film.

Thau determined that some of the extra footage could not be added because of poor visual effects.

Thau felt "the pace of the film's storyline would be adversely affected [and there were] timing problems matching [footage] with John Williams' musical score, etc… The cut of the movie shown on KCOP was put together to make the movie longer when shown on TV as the Television Station paid per minute to air the movie.

The " Special Edition " cut is designed for the best viewing experience in the true spirit of movie making.

The release included making-of documentaries directed by Thau and eight minutes of restored footage. I used to hear those wonderful stories in the cutting room that Tom and Dick and Stuart would tell about Superman and that's how I kind of got the ideas for the plots of 'Taking Flight' and 'Making Superman'".

We went in and cleaned that up, bringing the color back to where it should be. I also wanted to take out a lot of that car chase where it was just generic action It was like a two-minute car chase.

But Dick didn't want to take [that] out [or] the poem. On November 6, following year-long worldwide revival theatrical screenings to commemorate the 40th anniversary of the film's original release , Warner Bros.

This new release also includes a standard Blu-Ray of the theatrical cut, plus select bonus features carried over from previous video releases, and digital copies of both the theatrical and three-hour TV versions.

McCallum , Graham V. Donner publicly expressed disgust that production designer John Barry and cinematographer Geoffrey Unsworth had not been recognized by the Academy.

Superman was successful at the 32nd British Academy Film Awards. Reeve won Best Newcomer , while Hackman, Unsworth, Barry, and the sound designers earned nominations.

With the film's success, it was immediately decided to finish Superman II. Ilya and Alexander Salkind and Pierre Spengler did not ask Donner to return because Donner had criticized them during the film's publicity phase.

As long as he has nothing to say as the producer, and is just liaison between Alexander Salkind and his money, that's fine. If they don't want it on those terms, then they need to go out and find another director, it sure as shit ain't gonna be me.

Kidder said that as a result, she was only given a cameo appearance for Superman III , and not a main supporting role. Richard Lester was as big an asshole as the Salkinds.

Superman Returns was released in The film's final sequence, which features Superman flying high above the Earth at sunrise, and breaking the fourth wall to smile briefly at the camera, is featured at the end of every Superman film starring Reeve.

Superman Returns recreated the shot with lead actor Brandon Routh. Because Superman went into production prior to the releases of Star Wars May and Close Encounters of the Third Kind November , some observers credit the three films collectively for launching the reemergence of a large market for science fiction films in the s.

This is certainly the view of Superman producer Ilya Salkind and some who have interviewed him, [11] [17] as well as of film production assistant Brad Lohan.

The film is recognized by American Film Institute in these lists:. In December , the film was selected for preservation by the United States Library of Congress National Film Registry , for being "culturally, historically or aesthetically significant".

From Wikipedia, the free encyclopedia. This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources.

Unsourced material may be challenged and removed. Theatrical release poster by Bob Peak. Superman by Jerry Siegel Joe Shuster.

Stuart Baird Michael Ellis. International Film Productions [1] Dovemead Ltd. Warner Bros. This section needs additional citations for verification.

Publicity still emulating screen shot in which Superman Christopher Reeve , with his traditional suit, flies toward the sky, with Metropolis underneath him.

Actual screen shot for comparison. Suit has greenish hue, for use with blue-screen effects. See also: Christ figure.

But we will never leave you, even in the face of our deaths. The richness of our lives shall be yours. All that I have, all that I've learned, everything I feel—all this and more I bequeath you, my son.

You will carry me inside you all the days of your life. You will make my strength your own, and see my life through your eyes, as your life will be seen through mine.

The son becomes the father and the father the son. This is all I, all I can send you, Kal-El. Retrieved September 14, British Board of Film Classification.

Retrieved December 1, American Film Institute. Retrieved December 11, Box Office Mojo. Retrieved December 14, Archived from the original on December 12, Retrieved June 17, Superman Homepage.

Retrieved September 8, Retrieved September 4, The Making of Superman the Movie. Warner Books.

The Independent. Retrieved January 28, Retrieved September 9, Thomsen New York City: HarperCollins. Brando the Biography. Comic Book Movies.

Virgin Books. New York Daily News. Straight from the Force's Mouth. Filament Publishing. May 1, Retrieved September 10, BearManor Media.

Daily News. Archived from the original on February 14, Retrieved February 17, Journal of Religion and Film.

Archived from the original on June 18, Retrieved May 10, The Jewish Exponent. Archived from the original on October 13, Retrieved November 1, Contact Music.

June 20, USA Today. Retrieved December 9, The Hollywood Reporter. December 26, January 2, December 31, Daily Variety.

January 3, Rotten Tomatoes. Fandango Media. Retrieved February 26, CBS Interactive. Retrieved September 1, Retrieved May 22, Roger Ebert.

Retrieved July 14, Archived from the original on September 8, Retrieved November 6, Chicago Tribune. Section 6, p.

December 13, The New York Times. Up on the Screen! Chicago Reader. James Berardinelli. Ain't It Cool News. Comics Interview Fictioneer Books.

Archived from the original on February 5, Retrieved November 30,

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5 Comments

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