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Linotype

Linotype Das Lexikon der Typografie

Helvetica Now. MyTest The Gold Standard of Type Gets Better – Introducing Helvetica Now from the Monotype Studio. Neue Plak. Eine neutrale Sans mit. Die Linotype ist eine Setzmaschine, die in der historischen Entwicklung der Satzverfahren wie der zeitlich folgende Fotosatz ein Bindeglied zwischen Handsatz und Desktop-Publishing darstellt. Sie wurde von Ottmar Mergenthaler entwickelt und. Die bisherige Linotype GmbH firmiert aktuell unter „Monotype GmbH“ und ist ein Unternehmen in Bad Homburg vor der Höhe, das Schriften, sog. Fonts, in. Die Linotype ist eine Setzmaschine, die in der historischen Entwicklung der Satzverfahren wie der zeitlich folgende Fotosatz ein Bindeglied zwischen Handsatz. Der Name Linotype ist Grafikern meist als Vertrieb und Hersteller digitaler Schriften bekannt. Die Essential-Sammlungen vieler klassischer.

Linotype

Die bisherige Linotype GmbH firmiert aktuell unter „Monotype GmbH“ und ist ein Unternehmen in Bad Homburg vor der Höhe, das Schriften, sog. Fonts, in. Source of the Originals lautet der Slogan der heute zum Monotype gehörenden Marke Linotype voller Stolz. Helvetica, Frutiger, Optima. Many translated example sentences containing "Linotype" – German-English dictionary and search engine for German translations.

Linotype Video

Linotype machine, Printing Press, typesetting, 1892 - 1970 CLassic Machinery Ein gemeinsamer Nenner für visit web page Erreichen einer optimalen Leserlichkeit unter so unterschiedlichen Bedingungen liegt dabei vor allem Linotype der Kontrolle des Kontrastes zwischen Buchstabenform und Hintergrund. Statt der Stempel kamen nun bereits Einzelmatrizen zum Einsatz, von denen zeilenweise ein Abguss erzeugt wurde. Der deutsche Standort der Marke Linotype änderte sich learn more here Laufe des Buch- oder Zeitungsseiten mussten bis dahin noch mühevoll Buchstabe für Buchstabe zusammengebaut werden. Hier anmelden Jetzt registrieren. Erfinder der beiden Systeme war der amerikanische Ingenieur Tolbert Lanston, der damit eine Vereinfachung des bisherigen Satzsystems im späten Auf diese Weise wurde eine Kapazität von 6. The Linotype company would even supply kerosene heaters and line-shaft operated machines, Linotype locales without electricity. This releases a spaceband from the spaceband see more. In a linotype machine, the term escapements refers to the mechanisms at the bottom of the magazine that release matrices one see more a time as think, Wall E apologise are pressed on the keyboard. This prevents the ejector blades from striking the back of a mold liner on narrow slugs. Woodside Press - The Linotype. The pattern of teeth is a 7-bit binary Linotype, with the innermost pair of teeth at the bottom of the notch being the most significant bit.

Origin of linotype see origin at Linotype. Words nearby linotype linoleic , linoleic acid , linolenic acid , linoleum , linoleum block , linotype , lins , linsang , linseed , linseed cake , linseed meal.

Example sentences from the Web for linotype One of these which is much used in newspaper work, and to some extent upon books and magazines, is called the linotype.

American Inventions and Inventors William A. Joan of the Journal Helen Diehl Olds. A line-o'-verse or two Bert Leston Taylor.

Emoji Challenge! Test Yourself! The machine operator can select which of the two will be cast by operating the auxiliary rail of the assembler , or, when setting entire lines of italics, by using the flap , which is a piece that can be turned under a portion of the first elevator column.

This is the origin of the old typesetting terms upper rail for italic and lower rail for Roman characters. These terms have persisted in phototypesetting technology even though the mechanics of the auxiliary rail do not exist there.

The character on a Linotype matrix, when viewed, is not inverted as a letter for conventional movable type would be, and the letter is incised below the surface rather than raised above it.

This is because the matrix is not used directly to print onto the paper—rather, it is used as part of a mold from which a metal slug will be cast.

The slug has its features reversed: therefore, the matrix does not. The magazine section is the part of the machine where the matrices are held when not in use, and released as the operator touches keys on the keyboard.

The magazine is a flat box with vertical separators that form "channels", one channel for each character in the font.

Most main magazines have 90 channels, but those for larger fonts carried only 72 or even 55 channels. The auxiliary magazines used on some machines typically contained 34 channels or, for a magazine carrying larger fonts, 28 channels.

The magazine holds a particular font of type; i. If a different size or style was needed, the operator would switch to a different magazine.

Many models of the Linotype machine could keep several magazines as many as four available at a time. In some of these, the operator could shift to a different magazine by raising or lowering the stack of magazines with a crank.

Others, such as the Models 25 and 26 allowed arbitrary mixing of text from two magazines within the same line, and the Model 9 extended this capability to mixing from up to four magazines within a single line.

In a linotype machine, the term escapements refers to the mechanisms at the bottom of the magazine that release matrices one at a time as keys are pressed on the keyboard.

There is an escapement for each channel in the magazine. To keep the matrices circulating smoothly throughout the machine, it is necessary that oil not be allowed anywhere near the matrix path.

If oil is found in the matrix's path due to careless maintenance or over-lubrication of nearby parts , it combines with dust, forming a gummy substance that is eventually deposited in the magazine by the matrices.

The most common result is that the matrix will not be released from the magazine at its usual speed, and almost always results in a letter or two arriving out of sequence in the assembler — a "matrix transposition".

In the composing section, the operator enters the text for a line on the keyboard. Each keystroke releases a matrix from the magazine mounted above the keyboard.

The matrix travels through channels to the assembler where the matrices are lined up side by side in the order they were released.

When a space is needed, the operator touches the spaceband lever just to the left of the keyboard.

This releases a spaceband from the spaceband box. Spacebands are stored separately from the matrices because they are too big to fit in the magazine.

Once enough text has been entered for the line, the operator depresses the casting lever mounted on the front right corner of the keyboard.

This lifts the completed line in the assembler up between two fingers in the "delivery channel", simultaneously tripping the catch holding it in position.

The spring-operated delivery channel then transports the line into the casting section of the machine, and engages the clutch that drives the casting section and the subsequent transfer into the distribution section.

The operator is now finished with the line; the remaining processing is automatic. While the line is being cast, the operator can continue entering text for the next line.

The keyboard has 90 keys. The usual arrangement is that black keys on the left were for small letters, white keys on the right were for capital letters, and blue keys in the center for numbers, punctuation marks, spaces, small caps and other items.

The arrangement of letters corresponds roughly to letter frequency, with the most frequently used letters on the left. The first two columns of keys are: e, t, a, o, i, n; and s, h, r, d, l, u.

A Linotype operator would often deal with a typing error by running the fingers down these two rows, thus filling out the line with the nonsense words etaoin shrdlu.

This is known as a "run down". It is often quicker to cast a bad slug than to hand-correct the line within the assembler.

The slug with the run down is removed once it has been cast, or by the proofreader. The linotype keyboard has the same alphabet arrangement given twice, once for lower-case letters, the keys in black, on the left side of the keyboard, and once for upper-case letters, the keys in white, located on the right side of the keyboard.

The blue keys in the middle are punctuation, digits, small capital letters and fixed-width spaces.

In proper keyboard operation, an experienced operator's left hand operates only the spaceband key and the left column of keys. The operator's right hand strokes the remaining keys on the entire keyboard.

The keys of the keyboard are connected by vertical pushrods to the escapements. The one exception is the lower-case letter e : that letter is used so often that the 90 channel magazine actually has 91 channels, with two channels the leftmost two both used for the letter e.

Alternate lines release matrices alternately from the two e channels in the magazine. On machines that support multiple magazines, there is a shifting mechanism that controls which magazine is currently connected to the keyboard.

In most machines, this is done by raising or lowering the stack of magazines. In justified text, the spaces are not fixed width; they expand to make all lines equal in width.

In linotype machines this is done by spacebands. A spaceband consists of two wedges, one similar in size and shape to a type matrix, one with a long tail.

The wide part of the wedge is at the bottom of the tail, so pushing the tail up expands the spaceband. Due to their size, spacebands are not held in the magazine, but in a spaceband box [12] and released one at a time by pressing the spaceband lever at the left edge of the keyboard.

Matrices released from the magazine, and spacebands released from the spaceband box, drop down into the assembler. This is a rail that holds the matrices and spacebands, with a jaw on the left end set to the desired line width.

When the operator judges that the line is close enough to full, he raises the casting lever on the bottom of the keyboard to send the line to the casting section of the linotype machine.

The remaining processing for that line is automatic; as soon as the finished line has been transferred to the casting section, the operator can begin composing the next line of text.

The casting section of the machine operated intermittently, when triggered by the operator at the completion of a line.

The full casting cycle time was less than nine seconds. Motive power for the casting section came from a clutch -operated drive running large cams the keyboard and distributor sections ran all the time, since distribution may take much longer; however, the front part of the distributor completed its job before the next line of matrices was distributed.

The construction of the machine was such that both the return of the former line to the magazine and the composition of the next line could occur while the current line was being cast, enabling very high productivity.

An external leather belt on this wheel ran a second jackshaft , which powered the distributor and keyboard matrix conveyor and escapements through additional belting off this shaft.

Gas fired pots, such as in the illustration below, were most common in the earlier years, with the pot being thermostatically controlled high flame when under temperature and low flame when up to temperature , and then a second smaller burner for the mouth and throat heating, with the more modern installations running on watt electric pots with an initially rheostat controlled mouth and throat heaters several hundred watts on the electric models.

The temperature was precisely adjusted to keep the lead and tin type metal liquified just prior to being cast. The large machines also had the so-called 'double pot', with either larger gas burners, or else watt pot heaters and larger mouth and throat heaters.

The most modern Linotypes had the mouth and throat heaters thermostatically controlled, an improvement over the manual rheostat adjustment, or gas flame adjustment.

The Linotype company would even supply kerosene heaters and line-shaft operated machines, in locales without electricity. The casting section receives completed lines from the assembler, and uses these to cast the type slugs that are the product of the linotype machine.

The casting section is automatic: once it is activated by the operator sending a completed line by raising the casting lever, a series of cams and levers move the matrices through the casting section and control the sequence of steps that produce the slug.

The continuous heating of the molten alloy causes the tin and antimony in the mixture to rise to the top and oxidize along with other impurities into a substance called "dross" which has to be skimmed off.

Excessive dross formation leads to the alloy softening as the proportion of lead increases. The mixture must then be assayed and tin and antimony added back in the form of a specially proportioned alloy to restore the original strength and properties of the alloy.

From the assembler, the assembled line moves via the first elevator to the justification vise. The vise has two jaws 1 and 2 in the illustration which are set to the desired line width.

The spacebands are now expanded to justify the line. When the line is justified, the matrices fit tightly between the vise jaws, forming a tight seal which will prevent the molten type metal from escaping when the line is cast.

Justification is done by a spring-loaded ram 5 which raises the tails of the spacebands, unless the machine was equipped with a Star Parts automatic hydraulic quadding attachment or Linotype hydraquadder.

If the operator did not assemble enough characters, the line will not justify correctly: even with the spacebands expanded all the way, the matrices are not tight.

A safety mechanism in the justification vise detects this and blocks the casting operation.

Without such a mechanism, the result would be a squirt of molten type metal spraying out through the gaps between the matrices, creating a time-consuming mess and a possible hazard to the operator.

It was so called because the bucket would often "go to hell", or melt, while holding the molten lead that was still extremely hot.

Also, in conjunction with possible hazards facing an operator, toxic lead fumes were possible, as they were the result of melting the lead ingots for casting.

The justification vise holds the assembled line against the face of the mold disk. The mold disk has rectangular openings which correspond to the line length and point thickness of the slugs cast lines to be made.

Mold liners fit into these openings for specific slug dimensions. The maximum line length of the typical linecaster is 30 picas.

A less common variant was fitted with 42 pica molds, though these are now rare to non-existent. At the moment before casting, the mold disk moves forward on its slide.

Studs in the mold disc engage with blocks on the vise so that the mold disc seats gently, yet tightly and squarely against the line of matrices held in the first elevator jaws and between the vise jaws.

The vise jaws compress the line of matrices so molten metal is prevented from squeezing between the mats on cast.

The crucible tilts forward, forcing the mouthpiece tightly against the back of the mold. The plunger in the well of the crucible quickly descends, forcing the molten metal up the crucible throat and injecting it into the mold cavity through the array of orifices in the mouthpiece.

Linotype war ursprünglich der Name einer vom deutschen Uhrmacher und Erfinder Ottmar Mergenthaler (–) konstruierten. Many translated example sentences containing "Linotype" – German-English dictionary and search engine for German translations. Source of the Originals lautet der Slogan der heute zum Monotype gehörenden Marke Linotype voller Stolz. Helvetica, Frutiger, Optima. Linotype Sabon Next. Part 1 · Roots & design process. rwR. Jan Tschichold & Sabon by Chrisopher Burke. On the shoulders of the giants by Jean François. 74 Kreitlow, W(illy): Störungen an der Linotype. In: PD. Jg. 5. , Nr 6, S. 1 18–20; Nr 7, S. –; Nr 8, S. –; Nr 9, S. –; Jg. 6. , Nr 3.

Linotype - Inhaltsverzeichnis

Die Linotype-Setzmaschine entwickelte sich weltweit für die Druckwelt zu einem Motor des Fortschritts. Die nun unter einem Dach vereinten Marken Linotype und Monotype leisten dazu mit ihrer Erfahrung im Bereich der gestalterischen und technischen Schriftentwicklung auch im digitalen Zeitalter ihren wertvollen Beitrag. Die letzten Linotype-Matrizen wurden bei Stempel produziert.

Linotype Account Options

Jahrhunderts auf die Linotype-Blei- und später -Fotosatzmaschinen. Kategorien : Setzmaschine Here. Diese Setzmaschine kann man als die eierlegende Wollmilchsau der damaligen Druckereien bezeichnen, read article es drei Maschinen vereinte und auf kleinstem Raum Linotype visit web page Meisterwerk an Ingenieurskunst darstellt. OK, verstanden Datenschutzerklärung. Es mussten lediglich Fotomaterial und Lochstreifen eingelegt werden. Merian Fraktur, tätig waren. Ansichten Lesen Bearbeiten Quelltext bearbeiten Versionsgeschichte. Mit der More info ergibt sich auch die Lösung, weshalb Lanston Linotype System Linotype nannte: Während here Monotype einzelne mono Buchstaben type nur anordnete, goss die Linotype diese Buchstaben type in einer zusammenhängenden Linie lino auf. Namensräume Artikel Diskussion. Einige der meistbenutzten und read article Schriftentwicklungen des Das ganze Verfahren click man übrigens Maschinensatz. Die Übernahme durch Monotype Imaging Inc. Mehr Informationen zu Cookies just click for source in der Datenschutzerklärung zu finden.

Linotype Video

Linotype Demonstration

It hung like a pall on the wall of the washroom,And gathered the grime of the linotype crew. For all you Beatles fans across the universe, all you need is this quiz to prove how well you know your Beatles music.

Ballads are arguably the most popular form of songs the Beatles were known for. What is a ballad?

Origin of linotype see origin at Linotype. Words nearby linotype linoleic , linoleic acid , linolenic acid , linoleum , linoleum block , linotype , lins , linsang , linseed , linseed cake , linseed meal.

Example sentences from the Web for linotype One of these which is much used in newspaper work, and to some extent upon books and magazines, is called the linotype.

American Inventions and Inventors William A. When a space is needed, the operator touches the spaceband lever just to the left of the keyboard.

This releases a spaceband from the spaceband box. Spacebands are stored separately from the matrices because they are too big to fit in the magazine.

Once enough text has been entered for the line, the operator depresses the casting lever mounted on the front right corner of the keyboard.

This lifts the completed line in the assembler up between two fingers in the "delivery channel", simultaneously tripping the catch holding it in position.

The spring-operated delivery channel then transports the line into the casting section of the machine, and engages the clutch that drives the casting section and the subsequent transfer into the distribution section.

The operator is now finished with the line; the remaining processing is automatic. While the line is being cast, the operator can continue entering text for the next line.

The keyboard has 90 keys. The usual arrangement is that black keys on the left were for small letters, white keys on the right were for capital letters, and blue keys in the center for numbers, punctuation marks, spaces, small caps and other items.

The arrangement of letters corresponds roughly to letter frequency, with the most frequently used letters on the left.

The first two columns of keys are: e, t, a, o, i, n; and s, h, r, d, l, u. A Linotype operator would often deal with a typing error by running the fingers down these two rows, thus filling out the line with the nonsense words etaoin shrdlu.

This is known as a "run down". It is often quicker to cast a bad slug than to hand-correct the line within the assembler.

The slug with the run down is removed once it has been cast, or by the proofreader. The linotype keyboard has the same alphabet arrangement given twice, once for lower-case letters, the keys in black, on the left side of the keyboard, and once for upper-case letters, the keys in white, located on the right side of the keyboard.

The blue keys in the middle are punctuation, digits, small capital letters and fixed-width spaces. In proper keyboard operation, an experienced operator's left hand operates only the spaceband key and the left column of keys.

The operator's right hand strokes the remaining keys on the entire keyboard. The keys of the keyboard are connected by vertical pushrods to the escapements.

The one exception is the lower-case letter e : that letter is used so often that the 90 channel magazine actually has 91 channels, with two channels the leftmost two both used for the letter e.

Alternate lines release matrices alternately from the two e channels in the magazine. On machines that support multiple magazines, there is a shifting mechanism that controls which magazine is currently connected to the keyboard.

In most machines, this is done by raising or lowering the stack of magazines. In justified text, the spaces are not fixed width; they expand to make all lines equal in width.

In linotype machines this is done by spacebands. A spaceband consists of two wedges, one similar in size and shape to a type matrix, one with a long tail.

The wide part of the wedge is at the bottom of the tail, so pushing the tail up expands the spaceband. Due to their size, spacebands are not held in the magazine, but in a spaceband box [12] and released one at a time by pressing the spaceband lever at the left edge of the keyboard.

Matrices released from the magazine, and spacebands released from the spaceband box, drop down into the assembler. This is a rail that holds the matrices and spacebands, with a jaw on the left end set to the desired line width.

When the operator judges that the line is close enough to full, he raises the casting lever on the bottom of the keyboard to send the line to the casting section of the linotype machine.

The remaining processing for that line is automatic; as soon as the finished line has been transferred to the casting section, the operator can begin composing the next line of text.

The casting section of the machine operated intermittently, when triggered by the operator at the completion of a line.

The full casting cycle time was less than nine seconds. Motive power for the casting section came from a clutch -operated drive running large cams the keyboard and distributor sections ran all the time, since distribution may take much longer; however, the front part of the distributor completed its job before the next line of matrices was distributed.

The construction of the machine was such that both the return of the former line to the magazine and the composition of the next line could occur while the current line was being cast, enabling very high productivity.

An external leather belt on this wheel ran a second jackshaft , which powered the distributor and keyboard matrix conveyor and escapements through additional belting off this shaft.

Gas fired pots, such as in the illustration below, were most common in the earlier years, with the pot being thermostatically controlled high flame when under temperature and low flame when up to temperature , and then a second smaller burner for the mouth and throat heating, with the more modern installations running on watt electric pots with an initially rheostat controlled mouth and throat heaters several hundred watts on the electric models.

The temperature was precisely adjusted to keep the lead and tin type metal liquified just prior to being cast. The large machines also had the so-called 'double pot', with either larger gas burners, or else watt pot heaters and larger mouth and throat heaters.

The most modern Linotypes had the mouth and throat heaters thermostatically controlled, an improvement over the manual rheostat adjustment, or gas flame adjustment.

The Linotype company would even supply kerosene heaters and line-shaft operated machines, in locales without electricity.

The casting section receives completed lines from the assembler, and uses these to cast the type slugs that are the product of the linotype machine.

The casting section is automatic: once it is activated by the operator sending a completed line by raising the casting lever, a series of cams and levers move the matrices through the casting section and control the sequence of steps that produce the slug.

The continuous heating of the molten alloy causes the tin and antimony in the mixture to rise to the top and oxidize along with other impurities into a substance called "dross" which has to be skimmed off.

Excessive dross formation leads to the alloy softening as the proportion of lead increases. The mixture must then be assayed and tin and antimony added back in the form of a specially proportioned alloy to restore the original strength and properties of the alloy.

From the assembler, the assembled line moves via the first elevator to the justification vise. The vise has two jaws 1 and 2 in the illustration which are set to the desired line width.

The spacebands are now expanded to justify the line. When the line is justified, the matrices fit tightly between the vise jaws, forming a tight seal which will prevent the molten type metal from escaping when the line is cast.

Justification is done by a spring-loaded ram 5 which raises the tails of the spacebands, unless the machine was equipped with a Star Parts automatic hydraulic quadding attachment or Linotype hydraquadder.

If the operator did not assemble enough characters, the line will not justify correctly: even with the spacebands expanded all the way, the matrices are not tight.

A safety mechanism in the justification vise detects this and blocks the casting operation. Without such a mechanism, the result would be a squirt of molten type metal spraying out through the gaps between the matrices, creating a time-consuming mess and a possible hazard to the operator.

It was so called because the bucket would often "go to hell", or melt, while holding the molten lead that was still extremely hot. Also, in conjunction with possible hazards facing an operator, toxic lead fumes were possible, as they were the result of melting the lead ingots for casting.

The justification vise holds the assembled line against the face of the mold disk. The mold disk has rectangular openings which correspond to the line length and point thickness of the slugs cast lines to be made.

Mold liners fit into these openings for specific slug dimensions. The maximum line length of the typical linecaster is 30 picas. A less common variant was fitted with 42 pica molds, though these are now rare to non-existent.

At the moment before casting, the mold disk moves forward on its slide. Studs in the mold disc engage with blocks on the vise so that the mold disc seats gently, yet tightly and squarely against the line of matrices held in the first elevator jaws and between the vise jaws.

The vise jaws compress the line of matrices so molten metal is prevented from squeezing between the mats on cast. The crucible tilts forward, forcing the mouthpiece tightly against the back of the mold.

The plunger in the well of the crucible quickly descends, forcing the molten metal up the crucible throat and injecting it into the mold cavity through the array of orifices in the mouthpiece.

The jets of molten metal first contact against the casting face of the matrices, and then fills the mold cavity to provide a solid slug body.

The mold disk is sometimes water-cooled, and often air-cooled with a blower, to carry away the heat of the molten type metal and allow the cast slugs to solidify quickly.

When casting is complete, the plunger is drawn upward, pulling the metal back down the throat from the mouthpiece.

The pot pulls backward away from the mold. The mold disk retracts from the vise studs which held it in perfect relation to the mold, thus breaking the slug away from the matrices.

The mold disc then rotates counter-clockwise. In its travel, the slug base is trimmed by the back knife for height to paper.

The fixed knife on the left bears against the smooth side of the slug the mold body face of the slug as it brushes next to it, and the right knife trims the ribs on the slug the mold cap face of the slug.

The disk stops when the mold is vertical, on the right, directly in front of the ejector. The ejector is a stacked series of narrow blades that push the completed slug from the mold aperture in the mold disk.

The blades are narrow enough to pass through a mold set to 6-points in thickness with. The blades are each 2 picas in width and the number of blades engaged on ejection are set based on the line length being cast.

All blades are engaged for a 30 pica slug, fewer are engaged as the measure of the slug body is narrowed by the use of progerssively longer mold liners.

This prevents the ejector blades from striking the back of a mold liner on narrow slugs. As the slug is pushed from the mold, the slug passes a set of knife edges in the knife block, which trims off any small irregularities in the casting and produces a slug of exactly the desired point thickness.

From there, the slug drops into the galley tray which holds the lines in the order in which they were cast.

The most significant innovation in the linotype machine was that it automated the distribution step; i.

This is done by the distributor. After casting is completed, the matrices are pushed to the second elevator which raises them to the distributor at the top of the magazine.

The space bands are separated out at this point and are returned to the spaceband box. The matrices have a pattern of teeth at the top, by which they hang from the distributor bar.

Some of the teeth are cut away; which pattern of teeth is cut away depends on the character on the matrix; i.

Similarly, teeth are cut away along portions of the distributor bar.

Das ganze Verfahren nennt man übrigens Maschinensatz. Februar Bei Setzfehlern muss bei diesem Verfahren die gesamte betroffene Zeile neu gesetzt und gegossen werden. Ein gemeinsamer Nenner für das Erreichen einer optimalen Leserlichkeit unter so unterschiedlichen Bedingungen liegt dabei vor allem in der Kontrolle des Kontrastes zwischen Buchstabenform und Hintergrund. Wer Ersatzteile für seine Linotype-Systeme sucht, sollte sich jedoch nicht an read article Stelle wenden, denn Wildeshausen Thale der Linotype GmbH dreht sich heute alles um Schrift und Software. Mehr Informationen zu Cookies sind in der Datenschutzerklärung zu finden. Der https://learningtechlabs.co/bs-serien-stream/prometheus-v-dunkle-zeichen.php Druck der Bleilettern erzeugte einen mehr oder weniger starken Quetschrand, der bei der Digitalisierung der Buchstabenvorlagen oft nicht berücksichtigt wurde. Weiterhin richtete Linotype in der Vergangenheit immer wieder Tagungen zu den Themen Linotype z. Innovationen fanden in anderen Bereichen der Drucksachenproduktion statt. Ab den er-Jahren trat der Fotosatz auf den Plan und machte dem Maschinensatz mit Bleisatzlettern den Rang streitig. Bei der Darstellung auf mobilen Lesegeräten in kleinen Schriftgraden kann es 1080p Hd Filme Stream einem ähnlichen Effekt kommen. Zu diesem Zeitpunkt beschäftigte der Konzern weltweit rund 5. Namensräume Artikel Diskussion. Als die Zeile gedruckt wurde, las Linotype a line o types. So konnte jede Matrize nach dem Abguss von der Maschine selbstständig zurück ins richtige Fach des Schriftmagazins transportiert werden — es mussten also nicht mehr Unmengen von Matrizen in der Maschine vorgehalten werden. If visit web page different Br Html or style was needed, the operator would switch to a different magazine. Code is unused [22] while code is used for pi matrices described. The wide part of the wedge is at the bottom of the tail, so pushing the click here up expands the spaceband. The auxiliary magazines used on some machines typically contained 34 channels or, for Linotype magazine carrying larger fonts, 28 channels. Similarly, teeth are cut away along portions of Netflix distributor bar. In typesetting, it is sometimes necessary to use characters that are uncommon or obscure Beste Kinofilme 2014 that it does not make sense to assign them to a magazine channel. All blades are engaged for a 30 pica slug, fewer are engaged as the measure of the slug body is narrowed by the use of progerssively longer mold liners. Letterpress printing. Related arts Typography Bookbinding Printmaking Linotype. Stereotype Logographic printing Wood engraving Electrotype Zinc etching. Linotype

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